安娜主演。镜头一开，安娜佯装反感地（因为我们知道她确实喜欢过来被绑起来）回顾着她与那个冒牌摄影师的拍摄即将结束的最后一幕。她坐在即将被绑上的捆绑椅上，现在穿着闪亮的氨纶紧身衣（她的）。她拿着并描述着捆绑所需的工具：格温皮革头套、手指控制手套、胶带和绳子。安娜还提醒我们，等她回家后，她的经纪人肯定会被她狠狠地训斥一顿。然而，考虑到她显然很享受即将经历的这种无助状态，她的经纪人可能并没有安娜让我们相信的那么麻烦。她的嘴被胶带封在头套下面。我没有塞住安娜的嘴，但胶带和皮革的组合束缚着她的嘴唇和脸颊，确实起到了静音的效果，也让我们这位可爱的客人感到舒适。我希望她在我们漫长的捆绑拍摄合作的最后一幕中感到舒适。舒适并不意味着可以逃脱，也不意味着能说出有意义的话语。安娜若无他人帮助，绝对逃不掉。她几乎被牢牢地固定在束缚椅上，双腿和穿着袜子的双脚被牢牢地绑在椅腿上。安娜的躯干从腰部到胸部上方被焊接在椅背上。她纤细的双手被束缚在柔软的皮革手指控制手套里，手套被锁住，并用更多的麻绳绑在椅背后面。安娜可以全程在镜子里看到自己，她很享受眼前的一切和所感。Starring Anna. As the scene opens, Anna reviews, with feigned antipathy (because we know she does like coming over to get tied up), the upcoming final scene of her booking with the bogus rebranding photographer. She sits in the bondage chair to which she is about to be attached, now dressed in a shiny spandex catsuit (hers). She holds, and describes, the tools to be used for her confinement: leather Gwen hood, finger control mitts, tape, and rope. Anna also reminds us her agent is going to get a loathing earful when she gets home. However, given her obvious enjoyment of the helpless condition she is about to experience, her agent may not be in as much trouble as Anna would have us believe. Her mouth is taped under the hood. I did not stuff Anna’s mouth, but the combination of tape and leather confining her lips and cheeks provide real voice muting, as well as comfort for our lovely guest. I wanted her to be comfortable for the final scene of our long bondage shoot partnership. Comfort does not infer escape is possible, nor sensible syllables uttered. Anna will certainly not escape this one without help. She is almost immobilized in the bondage chair with secure rope windings holding her legs and stocking feet to the chair legs. Anna’s torso is welded to the chair back at her waist and above her breasts. Her feminine hands are confined in soft leather finger control mittens, which are locked, and tied together behind the chair back with more hemp rope. Anna can see herself in a mirror throughout, and she is enjoying what she sees, and feels